The poems that make up Anodyne consider the small moments that enrapture us alongside the daily threats of cataclysm. Formally dynamic and searingly personal, Anodyne asks us to recognize the echoes of history that litter the landscape of our bodies as we navigate a complex terrain of survival and longing. With an intimate and multivocal dexterity, these poems acknowledge the simultaneous existence of joy and devastation, knowledge and ignorance, grief and love, endurance and failure—all of the contrast and serendipity that comes with the experience of being human. If the body is a world, or a metaphor for the world, for what disappears and what remains, for what we feel and what we cover up, then how do we balance fate and choice, pleasure and pain? Through a combination of formal lyrics, delicate experiments, sharp rants, musical litany, and moments of wit that uplift and unsettle, Queen’s poems show us the terrible consequences and stunning miracles of how we choose to live.
About the Author
Khadijah Queen is the author of Conduit, Black Peculiar, Fearful Beloved, Non-Sequitur, and I’m So Fine: A List of Famous Men & What I Had On. A finalist for the National Poetry Series, the Balcones Poetry Prize, and the CLMP Firecracker award in Fiction, she is an assistant professor of creative writing at University of Colorado at Boulder, and serves as core faculty for the low-residency Mile-High MFA program at Regis University.
Khadijah Queen outdoes herself with captivating poems examining the dualities of joy and pain, love and loss, knowing and ignorance.
Insightful on every level, Anodyne will stay with you long after you turn its final page.
These poems are a reminder of all that is still possible in this world, no matter how much tragedy surrounds us.
Accomplished. . . . Queen’s collection reads as a testament to the power of poetry to raise awareness and shape the world.
Exploring themes of body as metaphor and as physical being, joy, grief, love, ignorance, endurance, and choice, Queen once again shows herself to be a master of zooming in on small moments and panning out to big questions.
Khadijah Queen is a brilliant poet. I recommend this book to anyone who ever had a child or a parent, who ever had a body or loved, to anyone who was ever sick or tried to sleep a good night’s sleep, and failed, and tried again. . . . This is a powerful and dazzling collection, filled with wisdom and experience. Anyone who reads Anodyne will remember it for a long time.
— Ilya Kaminsky, author of Deaf Republic
Khadijah Queen’s poems are fire and sacred song. From heart-stopping familial narratives—a son awash in sadness, an aging mother’s boulder-smiting love, a brother turned to dust by a bullet—to formal inventiveness and experimentation, this is writing that makes the hardship of being alive transcendent. . . . Anodyne is urgent and fragile, manifesting the beautiful danger in being alive.
— Alex Lemon, author of Another Last Day
Anodyne captivates with poignant, resilient poems; ones that face toughness with lucidity: of losing family and facing landscapes full of ‘untended loveliness of the forsaken.’ All of which builds an affective and luminous sense of record, of observing and perceiving. . . . Queen’s commanding style: building the poetic edges that are laced with endeavors, hurdles, grace, and truth into an eye-wide and powerfully deep poetry collection.
— Prageeta Sharma, author of Grief Sequence
Anodyne is a study of form & cavedwell, feminism as foresight, and archives the articulation of black excellence & resilience. . . . Many (re)discoveries are assured with the preciseness of Queen’s poetic legend.
— Mahogany L. Browne, author of Black Girl Magic
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